Milt Gabler began working in his father’s business, the rather grandly named Commodore Radio Corporation on 42nd Street in the 1920s. Gabler renamed the family store the ‘Commodore Music Shop’ and in 1933 began to license old jazz recordings from the major labels and reissue them. The store also became a magnet for the New York jazz crowd, whether fans or musicians. In 1937, Gabler opened a new shop on 52nd Street and around the same time began holding gigs in a club, Jimmy Ryan’s, which was almost next-door.
Commodore released records by artists as diverse as Coleman Hawkins, Sidney Bechet, Ben Webster, Teddy Wilson, and Willie “The Lion” Smith. In April 1939, Commodore recorded what is arguably the label’s most important release, Billie Holiday’s ‘Strange Fruit.’ The session was at World Broadcasting Studios and Frank Newton and his Café Society Orchestra backed Lady Day. The record company executives from Billie’s own label found the subject matter of the song so sensitive – the lynching of a young black man in the southern states – that they refused to release it and Gabler seized the moment.
When Alfred Lion, the founder of Blue Note Records arrived in New York City January 1936 and found an apartment in midtown Manhattan. Gravitating to Commodore Records, he became friendly with Gabler and his brother-in-law, Jack Crystal (the father of comedian Billy Crystal), who worked at the shop and helped run the gigs. Years later, Alfred Lion would recall the huge challenge Blue Note faced in establishing their business: “There was nothing in ’39. No {music trade] books where you could check out things. Nothing. You had to go by your wits.” Through his friendship with Milt Gabler, Lion persuaded Commodore Music Shop to sell Blue Note’s first record releases. H. Royer Smith on Walnut Street Philadelphia, trading since 1907 and one of America’s oldest record stores, also agreed to take them, as did David Dean Smith in New Haven, Connecticut.
Gabler later went on to work for Decca Records, where he recorded Bill Haley and the Comets and Louis Armstrong, and the Commodore record label ceased to be – Decca released their recordings. At the same time Alfred Lion made Blue Note one of the most important record labels in jazz. The Commodore shop closed in 1959.
The shop front was taken sometime in the 1940s. The interior is from 1947 and was taken by William Gottlieb, whose photographic collection can be viewed at the Library of Congress web site. Front left is Milt Gabler, front right, Jack Crystal.
I’m mike, came across 500 real2reals of old jazz, 1930-1970 stuff.poster covers with sheet music inside al Jolson, east side street, so much..letter asking where is the Elvis pictures you sent on letter head
These came from a producer and song writer, he died up the street from me, it was all going to the dump..there are letters of corresponce with major record labels.. Original music sheets of Elvis,
,I’m just starting to go through it all. Stuff I have no idea , but it’s stuff between recording studios about
Arrest and there music sheets that are original,, red marks showing changes, my god hundreds of reals,..are you interested in them. I’m going to bu a rtr and start listing,, this is a treasure..
Loe cruthers brother was the song writer for . Well get back and I’ll post who who.
Happylife58@gmail.com..
This stuff is sheet music from the 30’s.,, bob hope / Lucy, music of stage plays for piano
I’ll photo it all and log the stuff, you tell me if you interested, this guy had a recording studio
Robert f bertram